Left to pick up the pieces is his mother, Eva (Tilda Swinton). Footsteps approach the tent and a figure walks past. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. The movie we see is her collecting every horrible interaction she ever had with her son and putting it under the umbrella of "things I did," because the only way she can cope with the insanity of what her son did is by fitting it to a narrative where she's responsible. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? This is why, in the final scene, he no longer knows why he performed the massacre. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. Where do you think Jentorra's story goes next? The most cynical, nihilistic, misanthropic films ever made. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. Catherine George managed the costume department impeccably well, with a slight touch of retro. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. She finally gets her excuse to abandon Kevin but doesn't act on it. It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? Something just happened. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. Selena Gomez recently opened up on how the autoimmune condition is affecting her weight due to water retention from all the medication in her recent Tik-Tok live stream. You've got Braveheart, which it kind of has a similar feeling to. Each rewatch only feels more rewarding because Ramsay is so pure and gifted a filmmaker she rattles and revises our preconceptions of what a movie and yes, mother too can be. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. Matters worsen when she becomes pregnant with a daughter. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. By contrast with Elephant's oddly diffident lyricism, We Need To Talk About Kevin's expressionistic naturalism has a roiling, post-traumatic nonlinearity. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. to revoke its approval of the two main drugs used for medication abortion in the United States. 2023 Cinemaholic Inc. All rights reserved. She asks Kevin why he didn't kill her. Cookie Notice Scan this QR code to download the app now. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? Only with her because his father was at work whole day and saw his son for like an hour a day. And I really am curious as to how she's handling a society of ultra-intelligent ants that basically flooded her world. Read More: Best Movies About Mental Illness. Don't post randomness/off-topic comments. Is her husband as zoned out as he seems or is that only her perception? She's like a fish out of water. American release: January 27, 2012. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. That's a deeply human tale, and it calls to us, and I think that's why I see takes on the movie saying that it even encourages the viewer to think evil is in our nature and is immutable. She is the wrong person in the wrong life with the wrong child. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. Trademark | It must be something like this to have a nervous breakdown. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. The kid was screaming nonstop from the go, as infant. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). Kevin and Eva look similar, and in many scenes, Kevin and Eva wear similar clothes. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. When the teenage Kevin surprisingly assents to a mother/son date, Eva is hopeful for the opportunity to cultivate a deeper relationship. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. After you see the film, think about it. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. He was exactly right. He is pursuing a Licentiate in Sacred Theology at Heythrop College in London. Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. A demon seed. The sound of him savouring the juicy fruit a fruit he doesn't even like in deliberate crunches of sinister delight becomes unsettling when paired with the thought of Celia's lost eye. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. Eva often looks like she's in a state of shock. Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. We see it in her bond with the more amiable Celia. Eva rushes to the school to see Kevin getting arrested. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. This review of the film was originally published on December 22, 2011. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. At one point, she mockingly. We see this throughout Kevin's early developmental journey. His son is who Franklin says he is, and anything else is just invisible. Or did Kevin turned this way because she messed him up from the very birth. While Eva is growing increasingly distrustful of Kevin, Franklin sides with his son and their marriage takes a hit. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. Use the boards for extended discussion. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. Votes are used to help determine the most interesting content on RYM. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. However, just the neglect of his mother would not amount to the cathartic finale. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. It asks, "who is to blame when something horrific happens?". ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. Eva was never allergic to being a mother of course. A lawsuit could force the F.D.A. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. It's been 10 years since its world premiere at Cannes, and we need to talk about what made it such a haunting meditation on motherhood. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? Eva is entirely bound by the expectations of a culture that fetishizes the mommy and insists upon a particular quality and dynamic in order for relationships to be healthy and normative. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. Kevin is a defiant baby who screams incessantly but never around Franklin. Eva, in turn, becomes more protective of Celia. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. Jake Martin, visit our special Oscars season blog, Movie Minister.. Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Kevin is seen to be wearing short clothes most of the time, like when Eva takes him out for mini-golfing. Swinton told me of a line in the script that wasn't used, wisely, I believe. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). So to sum up, Eva systematically deprived Kevin of maternal love, then trained him to accept disgust and fear in its place. So I am thinking, was he born evil from the very beginning and she knew it and treated him alike evil from the very beginning? From the beginning, Eva is detached from motherhood. Eva gets pregnant for a second time and gives birth to a little daughter Celia. ComicBookMovie.com is a registered trademark and has been officially registered with the United States Patent and Trademark Office (USPTO). Maybe he is subtly telling others that his mother does not take care of him. Not here. Moving back and forth in time, the narrative revolves around a picture-perfect American family, but as the story progresses, we see cracks in the familial structure. Kevins reaction is an indictment of both Eva and audiences expectations and their desire for his complicity in perpetrating the fraud. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. But it also doesn't set out to wag a moral finger or make any grand, sweeping statements. When he is interviewed on TV, a reflection of Eva's face on the screen is overlaid on his. Therefore, when Kevin shows Eva the scar from the childhood accident, he tells her that it is the most honest thing that Eva ever did to him. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). What makes this all worthwhile is the fact that Tilda Swinton is simply an astonishing actress who can bring off anything. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. It'd be so much fun. Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. So, what did that exchange mean for the Khatchadourians? 1 'Gonjiam: Haunted Asylum' (2018) Image via Showbox. Kevin, it seems, has a method to his madness. The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. Instead, maternal ambivalence is coded as horror. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. KATY: It was really different, obviously, than the comic book version. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. So is Amelia in The Babadook. Of course, that mental illness is presumed by viewers. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. For more information, please see our Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. As Robin Hood, little Kevin appears in a similar-looking shirt. There are two really great examples of this: the first is the bow. And so is Eva. Menu. The moments of Grace are, as they should be, not in moments like the dinner scene but in the unexpected. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. Did they create a monster, or was he born that way? Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. Like a fluke, nothing to do with her personality or her hubby's personality? So, his dressing sense is perhaps not an indictment of his bitterness. All logos and images used on this website are registered trademarks of their respective companies. Kevin's bedroom is actually the biggest red flag in the film, and the fact that neither Eva nor Franklin noticed that Kevin's bedroom clearly displays the signs of mental illness until he was fifteen years old proves beyond a shadow of a doubt that Franklin had never looked in his bedroom, wasn't interested in his interests or hobbies, and didn't want to know what he did in his spare time. Did your prior experience help prepare you for some of what to expect on Quantumania? Motherhood was therefore intended as a punishment.. The past and present intertwine as Eva recalls Kevins formative years from childhood to adolescence, hoping for clues on what went wrong. For much of the film, she lives with her husband, son and daughter in an expensive suburban home, and when we realize they've lived there for several years, we begin to wonder, how can four people occupy a home for over a decade and not accumulate anything? There are two really great examples of this: the first is the bow. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. You know, it's all fun and games until you really understand that every single decision that you make impacts everybody. However, we dont really know why Kevin kills his family. Overview. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. Go. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. Kevin chooses to conceal the incident from Franklin. In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. Who's there when Kevin gets sick? Rated R Eva finally asks why he did it. We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. The comedy had to come elsewhere there. Does she ever. Going on, she again asks the question of responsibility and says, "I don't know. The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. Don't get in arguments with people here, or start long discussions. All the community rules apply here. So, I think it'd be really, really cool to see if they came up with something else. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. Her body can't absorb more punishment. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. Now, mommy wakes up every morning and wishes she was in France! 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